-
X. Villanelle (Referred)
___ ____ _____ fill up and float away
____ __ __ ____, trust in me, ____ let go.
_______ __ ____ float back to us one day.
Don’t fret or cry, __ ____ __ _____
____ _____ __ soar above the ground _____.
Let your heart ____ __ ___ float away.
______ goodbye __ ____ you want to say,
I know ___ soon that you ____ ____ ______
_______ __ will float back to us ___ ___.
So ______ __ ____ let’s __ __ lay
A lover’s crown: a _______ ____ halo.
Let your heart fill up ___ _____ ____.
___its free from ___ ___ worldly fray,
____ ______ ___ all the pain __ ____ ______,
Surely, it will float back __ __ one day.
__ __ not far, ___ soon __ ____ _____,
__ tell me ___ if you’re feeling hollow.
___ ____ _____ fill up and float away.
My love will fill the space_ ________ _______.
Here’s my heart, ____ _____ ____ don’t let _ go.
___ ____ _____ ___ up and _____ away.
Surely, __ ____ _____ ____ __ __ one day.
-
H (Referred)
The smell of coffee ______ _____
The aroma __ ____ ______–
_ ___ of cloth and dry sweat–
_____ arouses _____ _____–
____ sweat and _______ scent.
My heart beats to ___ _______
__ your breath_ ___ like a match__
____ _______ _____ my skin _____
On fire! My love __ __________.
___ _____ your love _ ____ ______.
-
A (Referred)
Dreary daydreaming ___ disappeared
__ ___ ____ __ your appearance.
___ my thoughts are filled ____ ___–
The sun_ _____ ______ _____ __ ______
___ _____ setting signals __ sadness.
Let __ call _______ lovely ______
__ ______ __ you. I’ll hail your
Heavenly hair ____ ______ your
Head. My mind ____ _____ amid ___
_____ __ your mouth and milky skin.
-
P (Referred)
Last night _ ______ you slept
Under my sheets.
And __ ____ ____ I lie awake,
Watching ___ your chest ____ ___ ____
Under my sheets.
And before I _woke _ _____
Courage moves my hand down ____ ____
Under my sheets.
Before __ _____ _____ _____
____ you awoke,
I felt your arms _______ __.
_ ____ your breath ____ __.
_ ____ your lips ____ _____,
Whisper, “___ ___ in my heart_
Don’t ___ worry, ____ I’ll never leave you.”
_ ____ __ __ an empty bed.
___ ______ ___________ in my head.
The empty words ___ _____ _____
I hope ___ ____ to make __ real.
-
Immanent Isolation: The problem of Masculinity in Of Mice and Men
In Of Mice and Men Steinbeck presents a picture of american masculinity in the southern lower class during the depression. Men dominate the narrative, so much so that Steinbeck gives the only woman to appear in the story no other name than “Curley’s wife”. Furthermore, all these men perform their masculinity by proving their independence. However, Steinbeck shows that underneath this masculine performance these men desire communion with other men. However, they refuse to acknowledge that desire because to admit their need for another man destroys their independence––the most fundamental aspect of their masculinity. Because of this inherent contradiction in their masculine performance, Steinbeck’s male characters condemn themselves to solitude. One gains a better understanding of this problem of solitude by examining how Of Mice and Men portrays the american conception of masculinity.
-
V (Referred)
My words are _______, dis
connected ________. __ __ ____
____ sloppily put to
gether, __’_ because my hands failed
when, __ ____, they tried to
collect _____ ________ ____ ____ __
__ ____ you.
I can_’t _____ grasp my feel___s ___ ___.
My ____ _____ red, gooey _______
fuel___ ___ _______– t_uch, k__s, speech
, stroke, lic_, fin___,
___ger_, ______
ing n_ck, ch_st, b_lly and b__k
– while __ ________ ___ ___ tied up in/
with God ___ love ___ Christ ___
s_x and p___ and p_______
___ sin and charity.
-
Reblog if you are a Non-Binary Gender or know someone that is.
(Writing a paper for school on Non-binary genders and it’s pretty important)
(via kleinchen)
Posted on May 6, 2013 via Ravioli Ravioli give me the D with 2,022 notes
Source: zillyhooah
-
A (Referred)
Be blessed, ________ __ ___,
___ ___ ____ ___ a taste of paradise.
I have _____ ___ the other fruit of the garden_
__ ____–
Good for food, pleasing __ ___ ___,
___ ___ to make one wise
– not forbidden, ___ freely given.
So speak, __ ________ Tell me,
How ____ i_ ____ __ __ desire_?
Your body _ ______
Your mind _ ______
Your soul I desire.
-
Character Space in Great Expectation
Pip’s progression from childhood to adulthood defines Great Expectations as a bildungsroman. In the narrative, Pip’s social mobility characterizes his path toward adulthood, both of which are only possible because the narrative forces the other characters into minor roles, while building up Pip as the novel’s protagonist. As Woloch explains in The One vs. the Many, the protagonist emerges from the narrative through taking up the majority of space within the novel’s character system. In other words, each character holds “a determined space and position within the narrative as a whole,” and the arrangement and interaction of the multiple and differentiated characters create a unified narrative structure (Woloch 14). Thus, Pip’s coming-of-age story, in which he as a character becomes more complex, necessitates the flattening of the other characters.
-
Of course…
I would press 4 SHOT OF EXPRESSO instead of the decaf button and keep my self awake.
This is my blag!
